Spotlighting

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I once heard an interview with one of the Grand Wizards of the KKK.  I was driving home from grocery shopping, and as I traveled the route, I remember a sense of being suspended, out of time, at what I was hearing.  I expected to hate the man speaking, to want to verbally assault him for the harm he and his cronies had inflicted upon humanity, but I could not.  The strange truth being that the man was not wholly evil, but rather as interesting and complex as you or I.  During the interview, his voice was measured and calm, discussing the everyday to the unusual and incomprehensible (at least to me).  I was especially struck by the way he spoke of his family, exhibiting the tenderness of a proud, protective, and loving parent.

It is with this same complexity and confusion that Kathryn Stockett approaches the nascent Civil Rights Movement in 1960’s Jackson, Mississippi.  Here, the narration changes between the voices of three distinct women: the young, naive, and white Eugenia “Skeeter” Phelan, and two very seasoned maids, Aibileen and her best friend Minny.

When Skeeter, an aspiring writer, is not offered a job at a publishing house in New York for her lack of experience, but the advice, “Write about what disturbs you,” she does just that.  Inspired by the latest trend among her circle of friends, the construction of an outdoor toilet for the help (under the guise of “safety”), she decides she will enlist the aid of her friend’s maid Aibileen (and anyone else they can find) to write about what life is like in the service of those who have no qualms about having their children raised by black people, yet worry about their health and the safety of their valuables in their presence.

Getting the stories of maids is a dangerous and entirely naive proposition because during that age, lives could be destroyed with a word.  Do not hire this woman because {insert complaint, real or imagined} and she’ll never work again, maybe her husband, too.  As well, and especially in Jackson, Mississippi, black women had virtually no rights, no ability to vote, no access to unemployment, Social Security, nothing.  They literally worked until their dying day, so for anyone to risk their livelihood to tell the truth of their experience was pretty astonishing, yet that is how change happens, a few brave acts that blossom into something greater than us all.

This is such a great read, steeped in history, disparity, and learning, yet the story is neither heavy-handed nor patronizing to either side.  Much like the man from the KKK, each character is colored by experience and preconceived notions, but there is so much love, compassion, and, for the most part, a willingness to concede defeat and open their hearts and minds to a more inclusive way of being that I couldn’t help but love them all.

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Two great movies for you today, gems received via our Netflix queue.  Oh heavens, please don’t you ever go away Netflix.  What on earth would these two Portland film addicts do without you?

Let’s start with fashion and the man who works magic with red, Valentino Garavani.  Forty-five years of gorgeous gowns with equally gorgeous women donning them.    While I hardly have enough moolah to be able to purchase a couture gown such as these (nor an occasion to which I’d wear it), it was a sheer delight to observe a bit of the process that brings them to life.  A dream in a man’s head, a sketch, and a klatch of women with talents I can only aspire to.  No sewing machines, no fancy equipment, just divine talent with a needle and thread.

Follow bits of Valentino’s life since launching his career in the 1960s: the bankruptcy, the huge success, the sale of his company in the 90s, the dresses (oh the dresses!), the pugs, the houses, and one very sweet, loving, and patient man with my favorite name in the Italian language, Giancarlo, Valentino’s partner for more than fifty years.

It is a love story about style, fabric, and men who share the same exquisite passion to make women feel a bit more beautiful and, of course, glamorous.  There are lots of surprises, and I shed a few tears, inspired by the drive and success of these lively and talented Italians.

And now for a little something from Italy’s neighbor, France.  It is quite a different story, yet it rings of the same truths, that passion, dedication, and perseverance bring sublime rewards.

It’s a story that begins in a dimly lit dentist’s waiting room, when a young man with an aching tooth spies, in a magazine, an advertisement for the yet to be built Twin Towers.  A tight rope walker, he decides, then and there, that he will walk between the towers, drawing, rather symbolically, a crisp line between the buildings.  Thus, he sets forth on a plan that will take him thousands of miles and hundreds of feet above New York city.

Though the fact that he walks the tightrope is a foregone conclusion, it is a delightful journey to follow the route to his achievement.  There’s footage of the preparations, including his victories over Notre Dame and the Sydney Harbor Bridge.  As well, we meet his accomplices, friends and protectors, eager and willing to pay the high price to accomplish one man’s dream.   Another joy to watch such determination and dedication to a particular and quite electrifying goal.

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Knock on wood,  my previous stretch of disappointing reads has ceased, as I’ve enjoyed a few decent books in a row, all marvelous stories and worthy of finishing, which is so satisfying.   Many thanks to my tax dollars and the Multnomah County Library for keeping my bookish desires happy.

Here are two of my most recent and engaging reads, on quite opposite ends of the literary spectrum, which suits my tastes just fine (pun intended, you’ll see).  Though this novel won the Pulitzer Prize for fiction nine years before I was even a twinkle in either of my parents’ eyes (1962), it seemed, to me, at least, that it could have been written today, as it speaks to the quite contemporary issues of faith, family, friendship, and healing.

The Edge of Sadness follows Hugh Kennedy, a recovering alcoholic, as he returns to Boston and his damaged priesthood after a four year sojourn in the desert southwest.  The story centers around Father Hugh’s re-acquaintance with the Carmody family: the often charming and devilishly cruel patriarch Charlie, his son, Father John of the dazzlingly ideal parish, St. Raymond’s, his daughter, Helen, and a colorful host of  siblings, children, grandchildren, and friends.

Father Hugh, once a highly regarded priest in a fairly well-to-do parish, is now leading a rather rag tag flock at Old Saint Paul’s, a poor and crumbling parish just outside of his old neighborhood.  His one curate, Father Danowski, often to Father Hugh’s chagrin and sometimes his delight, is an eternal and energetic optimist, always trusting that new life will be breathed into Old Saint Paul’s, returning the parish to it’s glory days.

At 640 pages, the novel is a leisurely drive in the country, as Edwin O’Connor carefully unfolds the stories of the tricky relationships between the Carmody’s, the reasons for Father Hugh’s fall from grace and his assignment at Old Saint Paul’s, as well as the inner life of a priest.  Though it hardly painted an idyllic portrait of family, priesthood, or parish life, I found the story beautiful and magnetic in it’s honesty.  For isn’t it encouraging to imagine that even men of the cloth have the same struggles with prayer, envy, trust, and above all, faith, as the laity?  I had a hard time putting it down.

Okay, since this is a long post, I’ve included an intermission, so you can do exactly what I did in between writing these segments, eat.  Of course I wanted something quick, so I wouldn’t dawdle and not finish this post by my self-imposed deadline.  What I made is quintessentially Colleen and yummy to my tummy, though maybe not yours.  A bit of tuna, some sliced nacho style jalapenos, a drizzle of organic EVOO (as Rachel Ray would say), and a sprinkle of smoked sea salt.  It really hit the spot!

Onward to David Lebovitz and his The Sweet Life in Paris.  He describes it as delicious adventures in the world’s most glorious – and perplexing – city.  Though this is quite true, I would also add the word hilarious after delicious.  Indeed.  Mr. Lebovitz is a highly entertaining story teller.

Without spending any time with the delicious (and sometimes pretty, I’m sure) sounding recipes, the book is a quick and laughter-filled frolic through the charming, and sometimes infuriating, streets of Paris, especially when you step in dog poo, because you will, dear reader, I gua-ran-tee it.  I zipped through it over the course of an afternoon, easily laughing and commiserating with David on his adventures from the quotidian to the unusual.

However, where I throw up my hands in frustration and declare a moratorium on visits to Paris as a result of being chastised for not having exact change, failing to understand the delicacies of French plumbing, or being jockeyed out of my position in line, David joins the party and fully engages, eventually becoming one of those line jockeys himself.  C’est pas ma faute!

If you have any interest in learning about an honest Parisian life and some delicious sounding recipes, grab a copy.  It doesn’t disappoint!

I don’t tend to be an envious person.  I know I’ve got it pretty darn good, but sometimes, as I am positively human, and therefore absolutely imperfect, my little green monster rears its tiny head.  And so it did during Julie and Julia, an utterly delightful Sunday afternoon movie, if ever there was one.

The film follows Julie Powell, a rather mousy Amy Adams, as she flounders at a considerably depressing and highly unsatisfactory job.  All of her friends are wildly successful, with assistants, lots of money, and the like, while she can’t seem to get it together.   Save for her saint of a husband and her love of cooking, she’d be one unhappy camper.

Enter Julia Child, played by the incomparable Meryl Streep (seriously, what can’t she do?), and the seminal Mastering the Art of French Cooking.  Julie decides to make, as well as blog about, all of the 524 recipes in the span of one year.  365 days.  A whole lot of cooking.

In the mean time, dear Julia is furthering her exquisite love of butter and eating, in general, while she flounders a bit herself.  What is she to DO with her life now that she is no longer a spy?  Okay,  maybe this is a slight exaggeration, but she did work for the OSS in China for Pete’s sake.   I digress a bit here, as the thought of this makes me chuckle – the six foot two inch gregarious woman in China?  I don’t suppose they were looking for someone inconspicuous, were they?

Anyway, I watched with rapt attention as Julie and Julia struggle, in their own ways, to find fulfillment and happiness, their days chockablock with writing, perfecting recipes, and, of course, eating.  Not to mention their fantastically supportive husbands, kind, patient, loving, and sexy, too.   Though they aren’t without their troubles, either: failed recipes, complicated relationships, trouble at work, and infertility among them.

And this is where I circle back to me.  Me, me, me.  It is my blog, after all.  I could not help but identify with these women as they struggled to find someone to take an interest in their work, to share their passion, and, ultimately, to one day be published, to feel as though their time and sincere effort had not been lost or wasted.

I count myself in their fine company knowing that, first and foremost, the work is for the person doing it.  Just as Julie and Julia cooked and wrote to save themselves from despair and boredom, I write to express my love for life and this wondrous third planet from the sun.  Then, like them, it is my great hope that others will find my work and be inspired or tickled or perplexed by it and keep coming back for more.

But where they found success in the form of published works, television shows, and movies, I have yet to do.  This is where I turn a slightly green hue, where I cry just a little bit and feel sorry for myself.  Don’t fret, however, as it doesn’t last terribly long, for like the movie and these fine women in real life, I know good things are on their way and the music will turn from maudlin to cheery, and I will be reminded that life truly is sublime.

I do not come from a perfect family.  I am not the perfect child.  I don’t call or visit terribly often, rarely send gifts, and can be quite blunt in my assessment of my parents.   In their defense, it has rather little to do with the way I was raised and much, much more with my own wacky Gemini-ness, as my Mom and Daddy did a good job with me and my siblings, all things considered.  We are decent, kind, hard working citizens of the earth.   As well, I love them very much and do not, at all, look forward to their passing.

It is from this same, quite honest, point of view that Christopher Buckley explores the living and dying of his own rather unique parents, the rather famous socialite Pat, and father of the modern Conservative (with a capital C, in his own words) movement, William F., Jr. or Bill, though I can’t really utter the latter from my lips, as it seems too plain for such a dandy of a wordsmith, too vanilla pudding.

As I had hoped, the book is also a rather good time.  In between the sadness and tears, I found myself laughing out loud (no exaggeration – the fellow on the blanket next to us at Vicky Christina Barcelona gave me and my book many a concerned look) at his parents idiosyncrasies.  His mother was an extraordinary dresser and an even wilder liar, sometimes wickedly so.  Yes, liar – and so bold about it too!   As for William F., save for the rules of the Catholic Church (oh how he despaired about not being able to see his Jewish friends in the afterlife), had no qualms about breaking other laws that seem quite logical to me.  Along the same lines, these are people raised in the time of better living through chemicals: popping uppers and downers without a care, smoking cigarettes and cigars, eating whatever they wished, and drinking, oh the drinking!

It is a rather singular approach to grief, love, and letting go of the people who brought him to earth, told with with wit, warmth, humor, and heartache.  I highly recommend it.

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