Watching

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Heppy Friday friends, despite it being nearly over – late start!  I see that typo, by the way, but think it looks kind of hep (there I go again), so it stays.  How was your week?  Mine was a solid 8.5 (good friends and even better times), though it would have been higher had I the cooperation of Mr. Soleil.  I am missing him something fierce.  C’est la geurre, je suppose.

Anyhoo, to the post and my diabolical plot to get people in front of the television.  Bwa ha ha!  No, not really, but I am a big lover of film, if you hadn’t noticed, and when they touch me, I am duty bound to sing their praises.  Ooh, cheeky monkey!   No, these movies are not copping feels, they’re just worthy of  mention and your time.

I was feeling under the weather one day and cast aside my chores and one half of my yoga practice (sad face) to lie on the sofa.  Happily, the entertainment gods were watching over me, and I found this streaming on Netflix, watching the entire six episodes in one go.  Holy smokes gentle readers, this is some business.  John Luther (Idris Elba – well cast and handsome, with a fabulous name) is one of those not quite right police detectives (I know that line’s getting a bit cliche, but it works) who’s just returned from the force after some “time off.”  He’s dedicated, a bit explosive, and a mad genius at his job (“It’s not right”), the kind of fellow who has a difficult time separating himself from his work.  This caused problems in his marriage, and we watch him struggle with what may be its dissolution, along with the trials and travails of a detective in the murderous metropolis that is London. It is thoughtful, intense, and incredibly well written, full of unexpected twists and surprises, the absolute best being Luther’s friendship with Alice (Ruth Wilson from Jane Eyre – so good!), a woman he’s absolutely positive is responsible for the grisly murder of her parents and family dog (she’s far too clever to be caught).

This has got to be one of the best and most unusual documentaries I’ve ever seen.  Truly.  A man (Mark Hogankamp) is brutally beaten in a bar fight and decides, once the insurance money for traditional therapies runs out, that he will work through his trauma and regain his hand-eye coordination by creating and photographing (with meticulous detail) a WWII era Belgian town.  Populated with dolls that represent friends and coworkers, with a history so intricate, so poignant, that it’s often difficult to separate from the real world, past and present, especially for Mark.  Then there are the photographs, surreal and oddly beautiful, just like the town they depict.

A love letter to a complex and beguiling city, Dhobi Ghat shows Mumbai at its best and worst, through the eyes of four very different people.  Arun is an artist who meets Shai at his most recent opening.  They spend the night together, though it doesn’t end well.  Munna is an aspiring actor, rat killer, and the dhobi who washes both of their clothes (by hand, in a vast and strangely enchanting neighborhood dedicated to the practice).  Then there is Yasmin, the infinitely sweet and naive girl whose video tapes (intimate letters and travelogues for her brother) Arun finds in his new apartment.  We watch as each navigates the city and their relationships with the outside world and each other.  It is tender, honest, and sometimes harsh, just like life.  I did find it a tad clumsy at the start, but that may be more cultural than anything.

Ooh, this was fun!  After a white lie about the loss of her virginity spreads like wildfire, once unknown and uninteresting Olive Penderghast decides to take the rumors up a notch and parallel the life of Hester Prynne.  Literally dressing like a prostitute and appliquéing a scarlet “A” on her garments, she takes money and gift cards from boys desperate for a change in reputation (without actually becoming a prostitute herself).  Of course it gets out of hand, with hearts and friendships broken, but, as these films go, all turns out well in the end.  Chock full off witty banter and a gracious nod to Say Anything, I say well played.

But wait, there’s more!  I listened to Rafael Saadiq’s Stone Rollin’ while typing this: a little Stevie Wonder, a little hip hop, a little funk, and a whole lotta awesome.  Add it to another queue…

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The hubster and I watched Mr. Mom earlier this week, a video tape which, as kids, my brothers and I literally wore out from watching it so much.  When bits of the storyline kept popping into my head, and I began to wonder if it really was worth wearing out a video tape as a tween-teen, I could not help but put it at the top of the Netflix queue.  Unlike Meatballs, I did not cringe in horror and immediately stop the train wreck from polluting my mind with garbage.

If you don’t know the story, Jack is laid off from a job in the auto industry and his wife, Caroline, finds work before him.  He stays home with their three kids, going through all the phases: overwhelmed and clueless; chubby, bearded, and obsessed with The Young and the Restless; eventually rising to uber-efficient power Dad status.  We also watch the travails of a “pretty” mom with a job in the early eighties.  I don’t think it could be much more politically incorrect.

We watched and laughed, grateful that you can go back, sometimes.  Though it had its cheesy moments, it was still funny and sweet, and made me remember my long ago days with a “woobie,” though mine had no fancy title.  It’s a great cast, too, all perfect for their roles – Michael Katon, Terri Garr, Christopher Lloyd, Jeffrey Tambor, Ann Jillian, and those adorable kids.

Which reminds me, when I worked at the Gap, I sold a leather jacket to Ann Jillian.  She was super nice!

I might as well keep it going.  Here are all the “famous” people I can recall  seeing or meeting:

Jimmy Stewart – I ditched a day of college to meet him at the Tattered Cover – totally worth it!

Andy Garcia – filming a scene near the Tivoli in Denver.

Will Smith – filming a scene in New York.

Kelly Ripa – walking her little boy in a stroller on Prince Street in NY.

Gary Hart – I rode an elevator with him.  There was NO monkey business.

Boy George – buying sushi at Alfalfa’s on Capitol Hill in Denver.

Johnny Rotten – back stage at Red Rocks.

David Wilcox – twice – once in Denver at a signing and once after a show in Boulder.

Quiet Riot – back stage at Big Mac (that truly dates me doesn’t it?).

This one is going waay back – Steve Railsback from a movie called The Golden Seal with my very first BF from elementary school, Ann.  I think the seal was there too!

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I realize that this came out a few years ago, but, as I have said before, I’m not terribly good at being of the moment, so there you go.  Besides, good funny is timeless.  “No one expects the Spanish Inquisition!”  In any case, if you like me and my sense of humor, watch this.  Gaffigan is clean (I might like to drop an f-bomb from time to time, but I’m not crazy about hearing it), subtle, likes to talk about food, and offers spot-on commentary in the third person.  “He’s weird.”  “Is that a blouse?”  “Watch it fella!”  The hubster and I nearly wet ourselves with laughter.  That doesn’t happen nearly often enough!

Perhaps viewing these films was leftover anniversary and Valentine sentiment or a mere coincidence, I’m not quite certain.  Whatever the case, they are quite good, yet very different.  I hate for life to be boring.  The first, starring the lovely Vanessa Paradis (again, so soon?) as Adele  and the dapper Daniel Auteuil as Gabor.  Both are misfits, of sorts, Adele hopeless with men and love, and Gabor just plain unlucky.  They meet one night on a bridge in Paris, Gabor convincing the vulnerable Adele not to jump to her death.  As well, he has a proposition for her, to join him in his knife-throwing act.  She agrees, somewhat reluctantly, but knows she has nothing left to lose.  Their act, and the film on the whole, is sensual and erotic, despite their platonic relationship.  The pair is a massive hit, and they make money wherever they go, at small town fairs and big casinos alike – sharing a preternatural gift.  Everything goes south when Adele, lured by the illusion of love with a newlywed man, leaves Gabor, changing both of their luck, for it only exists in tandem.  A bewitchingly beautiful black and white (I love alliteration!) about love, trust, and the deepest of human connections.

Imagine if you could, at the ripe age of fourteen, know the precise moment you will meet the ONE and fall impossibly and forever in love.  All you need is a TiMER for $79.99, plus a monthly maintenance fee, inserted in your wrist (like having your ears pierced, but a little worse), and you will forgo the pain and inconvenience of all that wondering.  Splendid and so very Los Angeles, where the film takes place.  The only problem is that not everyone has a TiMER, leaving some singles to look desperately at theirs, like a stop watch waiting to be started.  This is the case for Oona, nearing her 30th birthday and feeling a bit desperate.  She really wants to meet the one, or at least know that he’s out there, somewhere.  Then she meets Mikey, a good-humored grocery store clerk with a TiMER set to go off in four months time.  Should she date him, even though she knows he’s not the one, or continue to get involved with TiMERless men, hoping they’ll be it?  She decides to go for it, despite her family’s initial disapproval, and, in the process, learns a bit about true love and serendipity.

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Hello Everyone –

I hope you had a lovely weekend of fun and Superbowl watching, if that’s what floats your boat.  I thought I might catch a bit, but it was already over, whoops.  I saw the score, however, so it likely wasn’t a boring game, which is always nice.  As for my activity, I was a couch potato nearly the whole weekend with a sinus infection and fever, the low-light being one hour-long throbbing of my right ear.  No wonder babies scream when they get ear infections – they hurt!  It was a right party, I tell you.

As the hubster wasn’t much better off than I, we were pretty lazy on the whole, going out for lunch, ordering pizza and hot wings, and making simple dishes a little spicy, hoping to burn the h-e-double hockey sticks out of our virus laden bodies.  It didn’t go as well as we hoped, as we blasted (pun intended – gross) through more than one box of tissue and continue to feel under the weather, though we were certainly well fed.

Since it took a lot of energy to roll from my side to my back, and reading complete sentences was a might tricky (the cat in the, what?  Oh yes, hat!) I watched a lot, lot, lot of television (save that big event) and streaming Netflix movies.  Broken record alert!  I love streaming movies!  I really do!  These are the highlights, though don’t go and get sick just to watch them.  Stay healthy…

Heartbreaker is a hilarious and sweet French export with some pretty awesome eye candy: Vanessa Paradis (Johnny Depp’s sweetheart) for the fellas, Romain Duris for the ladies, great fashion, and beautiful sites like Morocco, Paris, and Monte Carlo (we had one of the cars growing up – 1977, powder blue, drove like a dream – love!).  Romain Duris plays Alex, a professional relationship wrecker.  He and his team (his sister and her husband) will travel far and wide to break up a couple in high style and with a lot of high tech help.  These people are very savvy!  Their latest job has them grasping at straws, wondering if the couple is truly meant for each other.  Along the way, Alex falls in love, complicating things further.  It’s a fun, keep-you-guessing type story with crazy gaffes and one liners.

Brett (Sara Michelle Geller – Buffy!) is an aspiring associate editor at a small publishing firm in New York.  She is eager to become a full editor, and move forward in life, but with a new and slightly wicked boss and concerns that she’s even good at what she does, she’s having a difficult time.  Her life is upturned when she meets Archie Knox (Alec Baldwin), a big wig in the publishing world, and they begin a romance.  It is a tender and complicated relationship, as he’s nearly as old as her parents and is carrying a bit of baggage himself.  A very real glimpse into the life changing moments that define who we truly are.  As well, I never thought of Alec Baldwin as a romantic lead before, but in those Cary Grant glasses and driving that car (you’ll see), I am a changed woman.  Sweet.

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